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Short Story Classics




Katherine Anne Porter


The Old Order

by Katherine Anne Porter



    Once a year, in early summer, after school was closed and the children were to be sent to the farm, the Grandmother began to long for the country. With an air of tenderness, as if she enquired after a favorite child, she would ask questions about the crops, wonder what kind of gardens the Negroes were making, how the animals were faring. She would remark now and then, "I begin to feel the need of a little change and relaxation, too," in a vague tone of reassurance, as if to say this did not mean that she intended for a moment really to relax her firm hold on family affairs. It was her favorite theory that change of occupation was one way, probably the best way, of resting. The three grandchildren would begin to feel the faint sure stirrings of departure in the house; her son, their father, would assume the air of careful patience which imperfectly masked his annoyance at the coming upsets and inconveniences to be endured at the farm. "Now, Harry, now, Harry!" his mother would warn him, for she was never deceived by his manner; indeed, he never meant her to be; and she would begin trying to placate him by wondering falsely if she could possibly get away, after all, with so much yet to be done where she was. She looked forward with pleasure to a breath of country air. She always imagined herself as walking at leisure in the shade of the orchards watching the peaches ripen; she spoke with longing of clipping the rosebushes, or of tying up the trellised honeysuckle with her own hands. She would pack up her summer-weight black skirts, her thin black-and-white basques, and would get out a broad-brimmed, rather battered straw shepherdess hat she had woven for herself just after the war. Trying it on, turning her head critically this way and that before the mirror, she would decide that it might to nicely for the sun and she always took it along, but never wore it. She wore instead a stiffly starched white chambray bonnet, with a round crown buttoned on a narrow brim; it sat pertly on the top of her head with a fly-away look, the long strings hanging stiffly. Underneath this headdress, her pale, tightly drawn, very old face looked out with stately clam.
    In the early spring, when the Indian cling peach-tree against the wall of the town house began to bloom, she would say, "I have planted five orchards in three States, and now I see only one tree in bloom." A soft, enjoyable melancholy would come over her; she would stand quite still for a moment looking at the single tree, representing all her beloved trees still blooming, flourishing, and preparing to bring forth fruit in their separate places.
    Leaving Aunt Nannie, who had been nurse to her children, in charge of the town house, she set out on her journey.

    If departure was a delightful adventure for the children, arriving at the farm was an event for Grandmother. Hinry came running to open the gate, his coal-black face burst into a grin, his voice flying before him: "Howdy-do, Miss Sophia Jane!", simply not noticing that the carry-all was spilling over with other members of the family. The horses jogged in, their bellies jolting and churning, and Grandmother, calling out greetings in her feast-day voice, alighted, surrounded by her people, with the same flurry of travel that marked her journeys by train; but now with an indefinable sense of homecoming, not to the house but to the black, rich soft land and the human beings living on it. Without removing her long veiled widow's bonnet, she would walk straight through the house, observing instantly that everything was out of order; pass out into the yards and gardens, silently glancing, making instant plans for changes; down the narrow path past the barns, with a glance into and around them as she went, a glance of firm and purposeful censure; and on past the canebrake to the left, the hayfields to the right, until she arrived at the row of Negro huts that ran along the bois d'arc hedge.
    Stepping up with a pleasant greeting to all, which in no way promised exemption from the wrath to come, she went into their kitchens, glanced into their meal barrels, their ovens, their cupboard shelves, into every smallest crevice and corner, with Littie and Dicey and Hinry and Bumper and Keg following, trying to explain that things was just a little out of shape right now because they'd had so much outside work they hadn't just been able to straighten out the way they meant to; but they were going to get at it right away.
    Indeed they were, as Grandmother well knew. Within an hour someone would have driven away in the buckboard with an order for such lime for whitewash, so many gallons of kerosene oil, and so much carbolic acid and insect powder. Home-made lye soap would be produced from the washhouse, and the frenzy would begin. Every mattress cover was emptied of its corn husks and boiled, every little Negro on the place was set to work picking a fresh supply of husks, every hut was thickly whitewashed, bins and cupboards were scrubbed, every chair and bedstead was varnished, every filthy quilt was brought to light, boiled in a great iron wash-pot and stretched in the sun; and the uproar had all the special character of any annual occasion. The Negro women were put at making a fresh supply of shirts for the men and children, cotton dresses and aprons for themselves. Whoever wished to complain now seized his opportunity. Mister Harry had clean forgot to buy shoes for Hinry, look at Hinry: Hinry had been just like that, barefooted the live-long winter. Mister Miller (a red-whiskered man who occupied a dubious situation somewhere between overseer when Mister Harry was absent, and plain hired hand when he was present) had skimped them last winter on everything you could think of -- not enough cornmeal, not half enough bacon, not enough wood, not enough of anything. Little had needed a little sugar for her cawfy and do you think Mister Miller would let her have it? No. Mister Miller had said nobody needed sugar in their cawfy. Hinry said Mister Miller didn't even take sugar in his own cawfy because he was just too stingy. Boosker, the three-year-old baby, had earache in January and Miz Carleton had come down and put lodnum in it and Boosker was acting like she was deef ever since. The black horse Mister Harry bought last fall had gone clean wild and jumped a barbed wire fence and tore his chest almost off and hadn't been any good from that time on.
    All these annoyances and dozens like them had to be soothed at once, then Grandmother's attention was turned to the main house, which must be overhauled completely. The big secretaries were opened and shabby old sets of Dickens, Scott, Thackeray, Dr. Johnson's dictionary, the volumes of Pope and Milton and Dante and Shakespeare were dusted off and closed up carefully again. Curtains came down in dingy heaps and went up again stiff and sweet-smelling; rugs were heaved forth in dusty confusion and returned flat and gay with flowers once more; the kitchen was no longer dingy and desolate but a place of heavenly order where it was tempting to linger.
    Next the barns and smokehouses and the potato cellar, the gardens and every tree or vine or bush must have that restoring touch upon it. For two weeks this would go on, with the Grandmother a tireless, just and efficient slave driver of every creature on the place. The children ran wild outside, but not as they did when she was not there. The hour came in each day when they were rounded up, captured, washed, dressed properly, made to eat what was set before them without giving battle, put to bed when the time came and no nonsense . . . They loved their Grandmother; she was the only reality to them in a world that seemed otherwise without fixed authority or refuge, since their mother had died so early that only the eldest girl remembered her vaguely: just the same they felt that Grandmother was tyrant, and they wished to be free of her; so they were always pleased when, on a certain day, as a sign that her visit was drawing to an end, she would go out to the pasture and call her old saddle horse, Fiddler.
    He had been a fine, thorough-paced horse once, but he was now a weary, disheartened old hero, gray-haired on his jaw and chin, who spent his life nuzzling with pendulous lips for tender bits of grass or accepting sugar cautiously between his shaken teeth. He paid no attention to anyone but the Grandmother. Every summer when she went to his field and called him, he came doddering up with almost a gleam in his filmy eyes. The two old creatures would greet each other fondly. The Grandmother always treated her animal friends as if they were human beings temporarily metamorphosed, but not by this accident dispensed from those duties suitable to their condition. She would have Fiddler brought around under her old side-saddle -- her little granddaughters rode astride and she saw no harm in it, for them -- and mount with her foot in Uncle Jimbilly's curved hand. Fiddler would remember his youth and break into a stiff-legged gallop, and off she would go with her crepe bands and her old-fashioned riding skirt flying. They always returned at a walk, the Grandmother sitting straight as a sword, smiling, triumphant. Dismounting at the horse-block by herself, she would stroke Fiddler on the neck before turning him over to Uncle Jimbilly, and walk away carrying her train grandly over her arm.
    This yearly gallop with Fiddler was important to her; it proved her strength, her unabated energy. Any time now Fiddler might drop in his tracks, but she would not. She would say, "He's getting stiff in the knees," or "He's pretty short-winded this year," but she herself walked lightly and breathed as easily as ever, or so she chose to believe.
    That same afternoon or the next day, she would take her long-promised easy stroll in the orchards with nothing to do, her Grandchildren running before her and running back to her side; with nothing at all to do, her hands folded, her skirts trailing and picking up twigs, turning over little stones, sweeping a faint path behind her, her white bonnet askew over one eye, an absorbed fixed smile on her lips, her eyes missing nothing. This walk would usually end with Hinry or Jimbilly being dispatched to the orchards at once to make some trifling but indispensable improvement.
    It would then come over her powerfully that she was staying on idling when there was so much to be done at home . . . There would be a last look at everything, instructions, advices, good-bys, blessings. She would set out with that strange look of leaving forever, and arrive at the place in town with the same air of homecoming she had worn on her arrival in the country, in a gentle flurry of greeting and felicitations, as if she had been gone for half a year. At once she set to work restoring to order the place which no doubt had gone somewhat astray in her absence.


    In their later years, the Grandmother and old Nannie used to sit together for some hours every day over their sewing. They shared a passion for cutting scraps of the family finery, hoarded for fifty years, into strips and triangles, and fitting them together again in a carefully disordered patchwork, outlining each bit of velvet or satin or taffeta with a running briar stitch in clear lemon-colored silk floss. They had contrived enough bed and couch covers, table spreads, dressing table scarfs, to have furnished forth several households. Each piece as it was finished was lined with yellow silk, folded, and laid away in a chest, never again to see the light of day. The Grandmother was the great-granddaughter of Kentucky's most famous pioneer: he had, while he was surveying Kentucky, hewed out rather competently a rolling pin for his wife. This rolling pin was the Grandmother's irreplaceable treasure. She covered it with an extraordinarily complicated bit of patchwork, added golden tassels to the handles, and hung it in a conspicuous place in her room. She was the daughter of a notably heroic captain in the War of 1812. She had his razors in a shagreen case and a particularly severe-looking daguerreotype taken in his old age, with his chin in a tall stock and his black satin waistcoat smoothed over a still-handsome military chest. So she fitted a patchwork case over the shagreen and made a sort of envelope of cut velvet and violet satin, held together with briar stitching, to contain the portrait. The rest of her handiwork she put away, to the relief of her grandchildren, who had arrived at the awkward age when Grandmother's quaint old-fashioned ways caused them acute discomfort.
    In the summer the women sat under the mingled trees of the side garden, which commanded a view of the east wing, the front and back porches, a good part of the front garden and a corner of the small fig grove. Their choice of this location was a part of their domestic strategy. Very little escaped them: a glance now and then would serve to keep them fairly well informed as to what was going on in the whole place. It is true they had not seen Miranda the day she pulled up the whole mint bed to give to a pleasant strange young woman who stopped and asked her for a sprig of fresh mint. They had never found out who stole the giant pomegranates growing too near the fence: they had not been in time to stop Paul from setting himself on fire while experimenting with a miniature blowtorch, but they had been on the scene to extinguish him with rugs, to pour oil on him, and lecture him. They never saw Maria climbing trees, a mania she had to indulge or pine away, for she chose tall ones on the opposite side of the house. But such casualties were so minor a part of the perpetual round of events that they did not feel defeated nor that their strategy was a failure. Summer, in many ways so desirable a season, had its drawbacks. The children were everywhere at once and the Negroes loved lying under the hackberry grove back of the barns playing seven-up, and eating watermelons. The summer house was in a small town a few miles from the farm, a compromise between the rigorously ordered house in the city and the sprawling old farmhouse which Grandmother had built with such pride and pains. It had, she often said, none of the advantages of either country or city, and all the discomforts of both. But the children loved it.
    During the winters in the city, they sat in Grandmother's room, a large squarish place with a small coal grate. All the sounds of life in the household seemed to converge there, echo, retreat, and return. Grandmother and Aunt Nannie knew the whole complicated code of sounds, could interpret and comment on them by an exchange of glances, a lifted eyebrow, or a tiny pause in their talk.
    They talked about the past, really -- always about the past. Even the future seemed like something gone and done with when they spoke of it. It did not seem an extension of their past, but a repetition of it. They would agree that nothing remained of life as they had known it, the world was changing swiftly, but by the mysterious logic of hope they insisted that each change was probably the last; or if not, a series of changes might bring them, blessedly, back full-circle to the old ways they had known. Who knows why they loved their past? It had been bitter for them both, they had questioned the burdensome rule they lived by every day of their lives, but without rebellion and without expecting an answer. This unbroken thread of inquiry in their minds contained no doubt as to the utter rightness and justice of the basic laws of human existence, founded as they were on God's plan; but they wondered perpetually, with only a hint now and then to each other of the uneasiness of their hearts, how so much suffering and confusion could have been built up and maintained on such a foundation. The Grandmother's role was authority, she knew that; it was her duty to portion out activities, to urge or restrain where necessary, to teach morals, manners, and religion, to punish and reward her own household according to a fixed code. Her own doubts and hesitations she concealed, also, she reminded herself, as a matter of duty. Old Nannie had no ideas at all as to her place in the world. It had been assigned to her before birth, and for her daily rule she had all her life obeyed the authority nearest to her.
    So they talked about God, about heaven, about planting a new hedge of rose bushes, about the new ways of preserving fruit and vegetables, about eternity and their mutual hope that they might pass it happily together, and often a scrap of silk under their hands would start them on long trains of family reminiscences. They were always amused to notice again how the working of their memories differed in such important ways. Nannie could recall names to perfection; she could always say what the weather had been like on all important occasions, what certain ladies had worn, how handsome certain gentlemen had been, what there had been to eat and drink. Grandmother had masses of dates in her mind, and no memories attached to them: her memories of events seemed detached and floating beyond time. For example, the 26th of August, 1871, had been some sort of red-letter day for her. She had said to herself then that never would she forget that date; and indeed, she remembered it well, but she no longer had the faintest notion what had happened to stamp it on her memory. Nannie was no help in the matter; she had nothing to do with dates. She did not know the year of her birth, and would never have had a birthday to celebrate if Grandmother had not, when she was still Miss Sophia Jane, aged ten, opened a calendar at random, closed her eyes, and marked a date unseen with a pen. So it turned out that Nannie's birthday thereafter fell on June 11, and the year, Miss Sophia Jane decided, should be 1827, her own birth-year, making Nannie just three months younger than her mistress. Sophia Jane then made an entry of Nannie's birth-date in the family Bible, inserting it just below her own. "Nannie Gay," she wrote, in stiff careful letters, "(black)," and though there was some uproar when this was discovered, the ink was long since sunk deeply into the paper, and besides no one was really upset enough to have it scratched out. There it remained, one of their pleasantest points of reference.
    They talked about religion, and the slack way the world was going nowadays, the decay of behavior, and about the younger children, whom these topics always brought at once to mind. On these subjects they were firm, critical, and unbewildered. They had received educations which furnished them an assured habit of mind about all the important appearances of life, and especially about the rearing of young. They relied with perfect acquiescence on the dogma that children were conceived in sin and brought forth in iniquity. Childhood was a long state of instruction and probation for adult life, which was in turn a long, severe, undeviating devotion to duty, the largest part of which consisted in bringing up children. The young were difficult, disobedient, and tireless in wrongdoing, apt to turn unkind and undutiful when they grew up, in spite of all one had done for them, or had tried to do: for small painful doubts rose in them now and again when they looked at their completed works. Nannie couldn't abide her new-fangled grandchildren. "Wuthless, shiftless lot, jes plain scum, Miss Sophia Jane; I cain't undahstand it aftah all the raisin' dey had."
    The Grandmother defended them, and dispraised her own second generation -- heartily, too, for she sincerely found grave faults in them -- which Nannie defended in turn. "When they are little, they trample on your feet, and when they grow up they trample on your heart." This was about all there was to say about children in any generation, but the fascination of the theme was endless. They said it thoroughly over and over with thousands of small variations, with always an example among their own friends or family connections to prove it. They had enough material of their own. Grandmother had borne eleven children, Nannie thirteen. They boasted of it. Grandmother would say, "I am the mother of eleven children," in a faintly amazed tone, as if she hardly expected to be believed, or could even quite believe it herself. But she could still point to nine of them. Nannie had lost ten of hers. They were all buried in Kentucky. Nannie never doubted or expected anyone else to doubt she had children. Her boasting was of another order. "Thirteen of 'em," she would say, in an appalled voice, "yas, my Lawd and my Redeemah, thirteen!"
    The friendship between the two old women had begun in early childhood, and was based on what seemed even to them almost mythical events. Miss Sophia Jane, a prissy, spoiled five-year-old, with tight black ringlets which were curled every day on a stick, with her stiffly pleated lawn pantalettes and tight bodice, had run to meet her returning father, who had been away buying horses and Negroes. Sitting on his arm, clasping him around the neck, she had watched the wagons filing past on the way to the barns and quarters. On the floor of the first wagon sat two blacks, male and female, holding between them a scrawny, half-naked black child, with a round nubbly head and fixed bright monkey eyes. The baby Negro had a potbelly and her arms were like sticks from wrist to shoulder. She clung with narrow, withered, black leather fingers to her parents, a hand on each.
    "I want the little monkey," said Sophia Jane to her father, nuzzling his cheek and pointing. "I want that one to play with."
    Behind each wagon came two horses in lead, but in the second wagon there was a small shaggy pony with a thatch of mane over his eyes, a long tail like a brush, a round, hard barrel of a body. He was standing in straw to the knees, braced firmly in a padded stall with a Negro holding his bridle. "Do you see that?" asked her father. "That's for you. High time you learned to ride."
    Sophia Jane almost leaped from his arm for joy. She hardly recognized her pony or her monkey the next day, the one clipped and sleek, the other clean in new blue cotton. For a while she could not decide which she loved more, Nannie or Fiddler. But Fiddler did not wear well. She outgrew him in a year, saw him pass without regret to a small brother, though she refused to allow him to be called Fiddler any longer. That name she reserved for a long series of saddle horses. She had named the first in honor of Fiddler Gay, an old Negro who made the music for dances and parties. There was only one Nannie and she outwore Sophia Jane. During all their lives together it was not so much a question of affection between them as a simple matter of being unable to imagine getting on without each other.
    Nannie remembered well being on a shallow platform out in front of a great building in a large busy place, the first town she had ever seen. Her father and mother were with her, and there was a thick crowd around them. There were several other small groups of Negroes huddled together with white men bustling them about now and then. She had never seen any of these faces before, and she never saw but one of them again. She remembered it must have been summer, because she was not shivering with cold in her cotton shift. For one thing, her bottom was still burning from a spanking someone (it might have been her mother) had given her just before they got on the platform, to remind her to keep still. Her mother and father were field hands, and had never lived in white folks' houses. A tall gentleman with a long narrow face and very high curved nose, wearing a great-collared blue coat and immensely long light-colored trousers (Nannie could close her eyes and see him again, clearly, as he looked that day) stepped up near them suddenly, while a great hubbub rose. The red-faced man standing on a stump beside them shouted and droned, waving his arms and pointing at Nannie's father and mother. Now and then the tall gentleman raised a finger, without looking at the black people on the platform. Suddenly the shouting died down, the tall gentleman walked over and said to Nannie's father and mother, "Well, Eph! Well, Steeny! Mister Jimmerson comin' to get you in a minute." He poked Nannie in the stomach with a thickly gloved forefinger. "Regular crowbait," he said to the auctioneer. "I should have had lagniappe with this one."
    "A pretty worthless article right now, sir, I agree with you," said the auctioneer, "but it'll grow out of it. As for the team, you won't find a better, I swear."
    "I've had an eye on 'em for years," said the tall gentleman, and walked away, motioning as he went to a fat man sitting on a wagon tongue, spitting quantities of tobacco juice. The fat man rose and came over to Nannie and her parents.
    Nannie had been sold for twenty dollars: a gift, you might say, hardly sold at all. She learned that a really choice slave sometimes cost more than a thousand dollars. She lived to hear slaves brag about how much they had cost. She had not known how little she fetched on the block until her own mother taunted her with it. This was after Nannie had gone to live for good at the big house, and her mother and father were still in the fields. They lived and worked and died there. A good worming had cured Nannie's potbelly, she thrived on plentiful food and a species of kindness not so indulgent, maybe, as that given to the puppies; still it more than fulfilled her notions of good fortune.

    The old women often talked about how strangely things come out in this life. The first owner of Nannie and her parents had gone, Sophia Jane's father said, hog-wild about Texas. It was a new Land of Promise, in 1832. He had sold out his farm and four slaves in Kentucky to raise the money to take a great twenty-mile stretch of land in southwest Texas. He had taken his wife and two young children and set out, and there had been no more news of him for many years. When Grandmother arrived in Texas forty years later, she found him a prosperous ranchman and district judge. Much later, her youngest son met his granddaughter, fell in love with her, and married her -- all in three months.
    The judge, by then eighty-five years old, was uproarious and festive at the wedding. He reeked of corn liquor, swore by God every other breath, and was rearing to talk about the good old times in Kentucky. The Grandmother showed Nannie to him. "Would you recognize her?" "For God Almighty's sake!" bawled the judge, "is that the strip of crowbait I sold to your father for twenty dollars? Twenty dollars seemed like a fortune to me in those days!"
    While they were jolting home down the steep rocky road on the long journey from San Marcos to Austin, Nannie finally spoke out about her grievance. "Look lak a jedge might had better raisin'," she said, gloomily, "look lak he didn't keer how much he hurt a body's feelins."
    The Grandmother, muffled down in the back seat in the corner of the old carryall, in her worn sealskin pelisse, showing coffee-brown at the edges, her eyes closed, her hands wrung together, had been occupied once more in reconciling herself to losing a son, and, as ever, to a girl and a family of which she could not altogether approve. It was not that there was anything seriously damaging to be said against any of them; only -- well, she wondered at her sons' tastes. What had each of them in turn found in the wife he had chosen? The Grandmother had always had in mind the kind of wife each of her sons needed; she had tried to bring about better marriages for them than they had made for themselves. They had merely resented her interference in what they considered strictly their personal affairs. She did not realize that she had spoiled and pampered her youngest son until he was in all probability unfit to be any kind of a husband, much less a good one. And there was something about her new daughter-in-law, a tall, handsome, firm-looking young woman, with a direct way of speaking, walking, talking, that seemed to promise that the spoiled Baby's days of clover were ended. The Grandmother was annoyed deeply at seeing how self-possessed the bride had been, how she had had her way about the wedding arrangements down to the last detail, how she glanced now and then at her new husband with calm, humorous, level eyes, as if she had already got him sized up. She had even suggested at the wedding dinner that her idea of a honeymoon would be to follow the chuck-wagon on the round-up, and help in the cattle-branding on her father's ranch. Of course she may have been joking. But she was altogether too Western, too modern, something like the "new" woman who was beginning to run wild, asking for the vote, leaving her home and going out in the world to earn her own living . . .
    The Grandmother's narrow body shuddered to the bone at the thought of women so unsexing themselves; she emerged with a start from the dark reverie of foreboding thoughts which left a bitter taste in her throat. "Never mind, Nannie. The judge just wasn't thinking. He's very fond of his good cheer."
    Nannie had slept in a bed and had been playmate and work-fellow with her mistress; they fought on almost equal terms, Sophia Jane defending Nannie fiercely against any discipline but her own. When they were both seventeen years old, Miss Sophia Jane was married off in a very gay wedding. The house was jammed to the roof and everybody present was at least fourth cousin to everybody else. There were forty carriages and more than two hundred horses to look after for two days. When the last wheel disappeared down the lane (a number of the guests lingered on for two weeks), the larders and bins were half empty and the place looked as if a troop of cavalry had been over it. A few days later Nannie was married off to a boy she had known ever since she came to the family, and they were given as a wedding present to Miss Sophia Jane.
    Miss Sophia Jane and Nannie had then started their grim and terrible race of procreation, a child every sixteen months or so, with Nannie nursing both, and Sophia Jane, in dreadful discomfort, suppressing her milk with bandages and spirits of wine. When they each had produced their fourth child, Nannie almost died of puerperal fever. Sophia Jane nursed both children. She named the black baby Charlie, and her own child Stephen, and she fed them justly turn about, not favoring the white over the black, as Nannie felt obliged to do. Her husband was shocked, tried to forbid her; her mother came to see her and reasoned with her. They found her very difficult and quite stubborn. She had already begun to develop her implicit character, which was altogether just, humane, proud, and simple. She had many small vanities and weaknesses on the surface: a love of luxury and a tendency to resent criticism. This tendency was based on her feeling of superiority in judgment and sensibility to almost everyone around her. It made her very hard to manage. She had a quiet way of holding her ground which convinced her antagonist that she would really die, not just threaten to, rather than give way. She had learned now that she was badly cheated in giving her children to another woman to feed; she resolved never again to be cheated in just that way. She sat nursing her child and her foster child, with a sensual warm pleasure she had not dreamed of, translating her natural physical relief into something holy, God-sent, amends from heaven for what she had suffered in childbed. Yes, and for what she missed in the marriage bed, for there also something had failed. She said to Nannie quite calmly, "From now on, you will nurse your children and I will nurse mine," and it was so. Charlie remained her special favorite among the Negro children. "I understand now," she said to her older sister Keziah, "why the black mammies love their foster children. I love mine." So Charlie was brought up in the house as playmate for her son Stephen, and exempted from hard work all his life.
    Sophia Jane had been wooed at arm's length by a mysteriously attractive young man whom she remembered well as rather a snubby little boy with curls like her own, but shorter, a frilled white blouse and kilts of the Macdonald tartan. He was her second cousin and resembled her so closely they had been mistaken for brother and sister. Their grandparents had been first cousins, and sometimes Sophia Jane saw in him, years after they were married, all the faults she had most abhorred in her elder brother: lack of aim, failure to act at crises, a philosophic detachment from practical affairs, a tendency to set projects on foot and then leave them to perish or to be finished by someone else; and a profound conviction that everyone around him should be happy to wait upon him hand and foot. She had fought these fatal tendencies in her brother, within the bounds of wifely prudence she fought them in her husband, she was long after to fight them again in two of her sons and in several of her grandchildren. She gained no victory in any case, the selfish, careless, unloving creatures lived and ended as they had begun. But the Grandmother developed a character truly portentous under the discipline of trying to change the characters of others. Her husband shared with her the family sharpness of eye. He disliked and feared her deadly willfulness, her certainty that her ways were not only right but beyond criticism, that her feelings were important, even in the lightest matter, and must not be tampered with or treated casually. He had disappeared at the critical moment when they were growing up, had gone to college and then for travel; she forgot him for a long time, and when she saw him again forgot him as he had been once for all. She was gay and sweet and decorous, full of vanity and incredibly exalted daydreams which threatened now and again to cast her over the edge of some mysterious forbidden frenzy. She dreamed recurrently that she had lost her virginity (her virtue, she called it), her sole claim to regard, consideration, even to existence, and after frightful moral suffering which masked altogether her physical experience she would wake in a cold sweat, disordered and terrified. She had heard that her cousin Stephen was a little "wild," but that was to be expected. He was leading, no doubt, a dashing life full of manly indulgences, the sweet dark life of the knowledge of evil which caused her hair to crinkle on her scalp when she thought of it. Ah, the delicious, the free, the wonderful, the mysterious and terrible life of men! She thought about it a great deal. "Little daydreamer," her mother or father would say to her, surprising her in a brown study, eyes moist, lips smiling vaguely over her embroidery or her book, or with hands fallen on her lap, her face turned away to a blank wall. She memorized and saved for these moments scraps of high-minded poetry, which she instantly quoted at them when they offered her a penny for her thoughts; or she broke into a melancholy little song of some kind, a song she knew they liked. She would run to the piano and tinkle the tune out with one hand, saying, "I love this part best," leaving no doubt in their minds as to what her own had been occupied with. She lived her whole youth so, without once giving herself away; not until she was in middle age, her husband dead, her property dispersed, and she found herself with a houseful of children, making a new life for them in another place, with all the responsibilities of a man but with none of the privileges, did she finally emerge into something like an honest life: and yet, she was passionately honest. She had never been anything else.
    Sitting under the trees with Nannie, both of them old and their long battle with life almost finished, she said, fingering a scrap of satin, "It was not fair that Sister Keziah should have had this ivory brocade for her wedding dress, and I had only dotted swiss . . ."
    "Times was harder when you got married, Missy," said Nannie. "Dat was de yeah all de crops failed."
    "And they failed ever afterward, it seems to me," said Grandmother.
    "Seems to me like," said Nannie, "dotted swiss was all the style when you got married."
    "I never cared for it," said Grandmother.

    Nannie, born in slavery, was pleased to think she would not die in it. She was wounded not so much by her state of being as by the word describing it. Emancipation was a sweet word to her. It had not changed her way of living in a single particular, but she was proud of having been able to say to her mistress, "I aim to stay wid you as long as you'll have me." Still, Emancipation had seemed to set right a wrong that stuck in her heart like a thorn. She could not understand why God, Whom she loved, had seen fit to be so hard on a whole race because they had got a certain kind of skin. She talked it over with Miss Sophia Jane. Many times. Miss Sophia Jane was always brisk and opinionated about it: "Nonsense! I tell you, God does not know whether a skin is black or white. He sees only souls. Don't be getting notions, Nannie -- of course you're going to Heaven."
    Nannie showed the rudiments of logic in a mind altogether untutored. She wondered, simply and without resentment, whether God, Who had been so cruel to black people on earth, might not continue His severity in the next world. Miss Sophia Jane took pleasure in reassuring her; as if she, who had been responsible for Nannie, body and soul in this life, might also be her sponsor before the judgment seat.
    Miss Sophia Jane had taken upon herself all the responsibilities of her tangled world, half white, half black, mingling steadily and the confusion growing ever deeper. There were so many young men about the place, always, younger brothers-in-law, first cousins, second cousins, nephews. They came visiting and they stayed, and there was no accounting for them nor any way of controlling their quietly headstrong habits. She learned early to keep silent and give no sign of uneasiness, but whenever a child was born in the Negro quarters, pink, worm-like, she held her breath for three days, she told her eldest granddaughter, years later, to see whether the newly born would turn black after the proper interval . . . It was a strain that told on her, and ended by giving her a deeply grounded contempt for men. She could not help it, she despised men. She despised them and was ruled by them. Her husband threw away her dowry and her property in wild investments in strange territories: Louisiana, Texas; and without protest she watched him play away her substance like a gambler. She felt that she could have managed her affairs profitably. But her natural activities lay elsewhere, it was the business of a man to make all decisions and dispose of all financial matters. Yet when she got the reins in her hands, her sons could persuade her to this and that enterprise or investment; against her will and judgment she accepted their advice, and among them they managed to break up once more the stronghold she had built for the future of her family. They got from her their own start in life, came back for fresh help when they needed it, and were divided against each other. She saw it as her natural duty to provide for her household, after her husband had fought stubbornly through the War, along with every other man of military age in the connection; had been wounded, had lingered helpless, and had died of his wound long after the great fervor and excitement had faded in hopeless defeat, when to be a man wounded and ruined in the War was merely to have proved oneself, perhaps, more heroic than wise. Left so, she drew her family together and set out for Louisiana, where her husband, with her money, had bought a sugar refinery. There was going to be a fortune in sugar, he said; not in raising the raw material, but in manufacturing it. He had schemes in his head for operating cotton gins, flour mills, refineries. Had he lived . . . but he did not live, and Sophia Jane had hardly repaired the house she bought and got the orchard planted when she saw that, in her hands, the sugar refinery was going to be a failure.
    She sold out at a loss, and went on to Texas, where her husband had bought cheaply, some years before, a large tract of fertile black land in an almost unsettled part of the country. She had with her nine children, the youngest about two, the eldest about seventeen years old; Nannie and her three sons, Uncle Jimbilly, and two other Negroes, all in good health, full of hope and greatly desiring to live. Her husband's ghost persisted in her, she was bitterly outraged by his death almost as if he had willfully deserted her. She mourned for him at first with dry eyes, angrily. Twenty years later, seeing after a long absence the eldest son of her favorite daughter, who had died early, she recognized the very features and look of the husband of her youth, and she wept.
    During the terrible second year in Texas, two of her younger sons, Harry and Robert, suddenly ran away. They chose good weather for it, in mid-May, and they were almost seven miles from home when a neighboring farmer saw them, wondered and asked questions, and ended by persuading them into his gig, and so brought them back.
    Miss Sophia Jane went through the dreary ritual of discipline she thought appropriate to the occasion. She whipped them with her riding whip. Then she made them kneel down with her while she prayed for them, asking God to help them mend their ways and not be undutiful to their mother; her duty performed, she broke down and wept with her arms around them. They had endured their punishment stoically, because it would have been disgraceful to cry when a woman hit them, and besides, she did not hit very hard; they had knelt with her in a shamefaced gloom, because religious feeling was a female mystery which embarrassed them, but when they saw her tears they burst into loud bellows of repentance. They were only nine and eleven years old. She said in a voice of mourning, so despairing it frightened them: "Why did you run away from me? What do you think I brought you here for?" as if they were grown men who could realize how terrible the situation was. All the answer they could make, as they wept too, was that they had wanted to go back to Louisiana to eat sugar cane. They had been thinking about sugar cane all winter . . . Their mother was stunned. She had built a house large enough to shelter them all, of hand-sawed lumber dragged by ox-cart for forty miles, she had got the fields fenced in and the crops planted, she had, she believed, fed and clothed her children; and now she realized they were hungry. These two had worked like men; she felt their growing bones through their thin flesh, and remembered how mercilessly she had driven them, as she had driven herself, as she had driven the Negroes and the horses, because there was no choice in the matter. They must labor beyond their strength or perish. Sitting there with her arms around them, she felt her heart break in her breast. She had thought it was a silly phrase. It happened to her. It was not that she was incapable of feeling after-ward, for in a way she was more emotional, more quick, but griefs never again lasted with her so long as they had before. This day was the beginning of her spoiling her children and being afraid of them. She said to them after a long dazed silence, when they began to grow restless under her arms: "We'll grow fine ribbon cane here. The soil is perfect for it. We'll have all the sugar we want. But we must be patient."

    By the time her children began to marry, she was able to give them each a good strip of land and a little money, she was able to help them buy more land in places they preferred by selling her own, tract by tract, and she saw them all begin well, though not all of them ended so. They went about their own affairs, scattering out and seeming to lose all that sense of family unity so precious to the Grandmother. They bore with her infrequent visits and her advice and her tremendous rightness, and they were impatient of her tenderness. When Harry's wife died -- she had never approved of Harry's wife, who was delicate and hopelessly inadequate at housekeeping, and who could not even bear children successfully, since she died when her third was born -- the Grandmother took the children and began life again, with almost the same zest, and with more indulgence. She had just got them brought up to the point where she felt she could begin to work the faults out of them -- faults inherited, she admitted fairly, from both sides of the house -- when she died. It happened quite suddenly one afternoon in early October, after a day spent in helping the Mexican gardener of her third daughter-in-law to put the garden to rights. She was on a visit in far western Texas and enjoying it. The daughter-in-law was exasperated but apparently so docile, the Grandmother, who looked upon her as a child, did not notice her little moods at all. The son had long ago learned not to oppose his mother. She wore him down with patient, just, and reasonable argument. She was careful never to venture to command him in anything. He consoled his wife by saying that everything Mother was doing could be changed back after she was gone. As this change included moving a fifty-foot adobe wall, the wife was not much consoled. The Grandmother came into the house quite flushed and exhilarated, saying how well she felt in the bracing mountain air -- and dropped dead over the doorsill.


    Uncle Jimbilly was so old and had spent so many years bowed over things, putting them together and taking them apart, making them over and making them do, he was bent almost double. His hands were closed and stiff from gripping objects tightly, while he worked at them, and they could not open altogether even if a child took the thick black fingers and tried to turn them back. He hobbled on a stick; his purplish skull showed through patches in his wool, which had turned greenish gray and looked as if the moths had got at it.
    He mended harness and put half soles on the other Negroes' shoes, he built fences and chicken coops and barn doors; he stretched wires and put in new window panes and fixed sagging hinges and patched up roofs; he repaired carriage tops and cranky plows. Also he had a gift for carving miniature tombstones out of blocks of wood; give him almost any kind of piece of wood and he could turn out a tombstone, shaped very like the real ones, with carving, and a name and date on it if they were needed. They were often needed, for some small beast or bird was always dying and having to be buried with proper ceremonies: the cart draped as a hearse, a shoe-box coffin with a pall over it, a profuse floral outlay, and, of course, a tombstone. As he worked, turning the long blade of his bowie knife deftly in circles to cut a flower, whittling and smoothing the back and sides, stopping now and then to hold it at arm's length and examine it with one eye closed, Uncle Jimbilly would talk in a low, broken, abstracted murmur, as if to himself; but he was really saying something he meant one to hear. Sometimes it would be an incomprehensible ghost story; listen ever so carefully, at the end it was impossible to decide whether Uncle Jimbilly himself had seen the ghost, whether it was a real ghost at all, or only another man dressed like one; and he dwelt much on the horrors of slave times.
    "Dey used to take 'em out and tie 'em down and whup 'em," he muttered, "wid gret big leather strops inch thick long as yo' ahm, wid round holes bored in 'em so's evey time dey hit 'em de hide and de meat done come off dey bones in little round chunks. And wen dey had whupped 'em wid de strop till dey backs was all raw and bloody, dey spread dry cawnshucks on dey backs and set 'em afire and pahched 'em, and den dey poured vinega all ovah 'em . . . Yassuh. And den, the ve'y nex day dey'd got to git back to work in the fiels or dey'd do the same thing right ovah agin. Yassah. Dat was it. If dey didn't git back to work dey got it all right ovah agin."
    The children -- three of them: a serious, prissy older girl of ten, a thoughtful sad looking boy of eight, and a quick flighty little girl of six -- sat disposed around Uncle Jimbilly and listened with faint tinglings of embarrassment. They knew, of course, that once upon a time Negroes had been slaves; but they had all been freed long ago and were now only servants. It was hard to realize that Uncle Jimbilly had been born in slavery, as the Negroes were always saying. The children thought that Uncle Jimbilly had got over his slavery very well. Since they had known him, he had never done a single thing that anyone told him to do. He did his work just as he pleased and when he pleased. If you wanted a tombstone, you had to be very careful about the way you asked for it. Nothing could have been more impersonal and faraway than his tone and manner of talking about slavery, but they wriggled a little and felt guilty. Paul would have changed the subject, but Miranda, the little quick one, wanted to know the worst. "Did they act like that to you, Uncle Jimbilly?" she asked.
    "No, mam," said Uncle Jimbilly. "Now whut name you want on dis one? Dey nevah did. Dey done 'em dat way in the rice swamps. I always worked right here close to the house or in town with Miss Sophia. Down in the swamps . . ."
    "Didn't they ever die, Uncle Jimbilly?" asked Paul.
    "Cose dey died," said Uncle Jimbilly, "cose dey died -- dey died," he went on, pursing his mouth gloomily, "by de thousands and tens upon thousands."
    "Can you carve 'Safe in Heaven' on that, Uncle Jimbilly?" asked Maria in her pleasant, mincing voice.
    "To put over a tame jackrabbit, Missy?" asked Uncle Jimbilly indignantly. He was very religious. "A heathen like dat? No, mam. In de swamps dey used to stake 'em out all day and all night, and all day and all night and all day wid dey hans and feet tied so dey couldn't scretch and let de muskeeters eat 'em alive. De muskeeters 'ud bite 'em tell dey was all swole up like a balloon all over, and you could heah 'em howlin and prayin all ovah the swamp. Yassuh. Dat was it. And nary a drop of watah noh a moufful of braid . . . Yassuh, dat's it. Lawd, dey done it. Hosanna! Now take dis yere tombstone and don' bother me no more . . . or I'll . . ."
    Uncle Jimbilly was apt to be suddenly annoyed and you never knew why. He was easily put out about things, but his threats were always so exorbitant that not even the most credulous child could be terrified by them. He was always going to do something quite horrible to somebody and then he was going to dispose of the remains in a revolting manner. He was going to skin somebody alive and nail the hide on the barn door, or he was just getting ready to cut off somebody's ears with a hatchet and pin them on Bongo, the crop-eared brindle dog. He was often all prepared in his mind to pull somebody's teeth and make a set of false teeth for Ole Man Ronk . . . Ole Man Ronk was a tramp who had been living all summer in the little cabin behind the smokehouse. He got his rations along with the Negroes and sat all day mumbling his naked gums. He had skimpy black whiskers which appeared to be set in wax, and angry red eyelids. He took morphine, it was said; but what morphine might be, or how he took it, or why, no one seemed to know . . . Nothing could have been more unpleasant than the notion that one's teeth might be given to Ole Man Ronk.
    The reason why Uncle Jimbilly never did any of these things he threatened was, he said, because he never could get round to them. He always had so much other work on hand he never seemed to get caught up on it. But some day, somebody was going to get a mighty big surprise, and meanwhile everybody had better look out.


    The long planks set on trestles rose one above the other to a monstrous height and stretched dizzyingly in a wide oval ring. They were packed with people -- "lak fleas on a dog's ear," said Dicey, holding Miranda's hand firmly and looking about her with disapproval. The white billows of enormous canvas sagged overhead, held up by three poles set evenly apart down the center. The family, when seated, occupied almost a whole section on one level.
    On one side of them in a long row sat Father, sister Maria, brother Paul, Grandmother; great-aunt Keziah, cousin Keziah, and second-cousin Keziah, who had just come down from Kentucky on a visit; uncle Charles Breaux, cousin Charles Breaux, and aunt Marie-Anne Breaux. On the other side sat small cousin Lucie Breaux, big cousin Paul Gay, great-aunt Sally Gay (who took snuff and was therefore a disgrace to the family); two strange, extremely handsome young men who might be cousins but who were certainly in love with cousin Miranda Gay; and cousin Miranda Gay herself, a most dashing young lady with crisp silk skirts, a half dozen of them at once, a lovely perfume and wonderful black curly hair above enormous wild gray eyes, "like a colt's," Father said. Miranda hoped to be exactly like her when she grew up. Hanging to Dicey's arm she leaned out and waved to cousin Miranda, who waved back smiling, and the strange young men waved to her also. Miranda was most fearfully excited. It was her first circus; it might also be her last because the whole family had combined to persuade Grandmother to allow her to come with them. "Very well, this once," Grandmother said, "since it's a family reunion."
    This once! This once! She could not look hard enough at everything. She even peeped down between the wide crevices of the piled-up plank seats, where she was astonished to see odd-looking, roughly dressed little boys peeping up from the dust below. They were squatted in little heaps, staring up quietly. She looked squarely into the eyes of one, who returned her a look so peculiar she gazed and gazed, trying to understand it. It was a bold grinning stare without any kind of friendliness in it. He was a thin, dirty little boy with a floppy old checkerboard cap pulled over crumpled red ears and dust-colored hair. As she gazed he nudged the little boy next to him, whispered, and the second little boy caught her eye. This was too much. Miranda pulled Dicey's sleeve. "Dicey, what are those little boys doing down there?" "Down where?" asked Dicey, but she seemed to know already, for she bent over and looked through the crevice, drew her knees together and her skirts around her, and said severely: "You jus mind yo' own business and stop throwin' yo' legs around that way. Don't you pay any mind. Plenty o' monkeys right here in the show widout you studyin dat kind."
    An enormous brass band seemed to explode right at Miranda's ear. She jumped, quivered, thrilled blindly and almost forgot to breathe as sound and color and smell rushed together and poured through her skin and hair and beat in her head and hands and feet and pit of her stomach. "Oh," she called out in her panic, closing her eyes and seizing Dicey's hand hard. The flaring lights burned through her lids, a roar of laughter like rage drowned out the steady raging of the drums and horns. She opened her eyes . . . A creature in a blousy white overall with ruffles at the neck and ankles, with bone-white skull and chalk-white face, with tufted eyebrows far apart in the middle of his forehead, the lids in a black sharp angle, a long scarlet mouth stretching back into sunken cheeks, turned up at the corners in a perpetual bitter grimace of pain, astonishment, not smiling, pranced along a wire stretched down the center of the ring, balancing a long thin pole with little wheels at either end. Miranda thought at first he was walking on air, or flying, and this did not surprise her; but when she saw the wire, she was terrified. High above their heads the inhuman figure pranced, spinning the little wheels. He paused, slipped, the flapping white leg waved in space; he staggered, wobbled, slipped sidewise, plunged, and caught the wire with frantic knee, hanging there upside down, the other leg waving like a feeler above his head; slipped once more, caught by one frenzied heel, and swung back and forth like a scarf . . . The crowd roared with savage delight, shrieks of dreadful laughter like devils in delicious torment . . . Miranda shrieked too, with real pain, clutching at her stomach with her knees drawn up . . . The man on the wire, hanging by his foot, turned his head like a seal from side to side and blew sneering kisses from his cruel mouth. Then Miranda covered her eyes and screamed, the tears pouring over her cheeks and chin.
    "Take her home," said her father, "get her out of here at once," but the laughter was not wiped from his face. He merely glanced at her and back to the ring. "Take her away, Dicey," called the Grandmother, from under her half-raised crepe veil. Dicey, rebelliously, very slowly, without taking her gaze from the white figure swaying on the wire, rose, seized the limp, suffering bundle, prodded and lumped her way over knees and feet, through the crowd, down the levels of the scaffolding, across a space of sandy tanbark, out through a flap in the tent. Miranda was crying steadily with an occasional hiccough. A dwarf was standing in the entrance, wearing a little woolly beard, a pointed cap, tight red breeches, long shoes with turned-up toes. He carried a thin white wand. Miranda almost touched him before she saw him, her distorted face with its open mouth and glistening tears almost level with his. He leaned forward and peered at her with kind, not-human golden eyes, like a near-sighted dog: then made a horrid grimace at her, imitating her own face. Miranda struck at him in sheer ill temper, screaming. Dicey drew her away quickly, but not before Miranda had seen in his face, suddenly, a look of haughty, remote displeasure, a true grown-up look. She knew it well. It chilled her with a new kind of fear: she had not believed he was really human.
    "Raincheck, get your raincheck!" said a very disagreeable looking fellow as they passed. Dicey turned toward him almost in tears herself. "Mister, caint you see I won't be able to git back? I got this young un to see to . . . What good dat lil piece of paper goin to do me?" All the way home she was cross, and grumbled under her breath: little ole meany . . . little ole scare-cat . . . gret big baby . . . never go nowhere . . . never see nothing . . . come on here now, hurry up -- always ruinin everything for othah folks . . . won't let anybody rest a minute, won't let anybody have any good times . . . come on here now, you wanted to go home and you're going there . . . snatching Miranda along, vicious but cautions, careful not to cross the line where Miranda could say outright: "Dicey did this or said this to me . . ." Dicey was allowed a certain freedom up to a point.
    The family trooped into the house just before dark and scattered out all over it. From every room came the sound of chatter and laughter. The other children told Miranda what she had missed: wonderful little ponies with plumes and bells on their bridles, ridden by darling little monkeys in velvet jackets and peaked hats . . . trained white goats that danced . . . a baby elephant that crossed his front feet and leaned against his cage and opened his mouth to be fed, such a baby! . . . more clowns, funnier than the first one even . . . beautiful ladies with bright yellow hair, wearing white silk tights with red satin sashes had performed on white trapezes; they also had hung by their toes, but how gracefully, like flying birds! Huge white horses had lolloped around and round the ring with men and women dancing on their backs! One man had swung by his teeth from the top of the tent and another had put his head in a lion's mouth. Ah, what she had not missed! Everybody had been enjoying themselves while she was missing her first big circus and spoiling the day for Dicey. Poor Dicey. Poor dear Dicey. The other children who hadn't thought of Dicey until that moment, mourned over her with sad mouths, their malicious eyes watching Miranda squirm. Dicey had been looking forward for weeks to this day! And then Miranda must get scared -- "Can you imagine being afraid of that funny old clown?" each one asked the other, and then they smiled pityingly on Miranda . . .
    Then too, it had been a very important occasion in another way: it was the first time Grandmother had ever allowed herself to be persuaded to go to the circus. One could not gather, from her rather generalized opinions, whether there had been no circuses when she was young, or there had been and it was not proper to see them. At any rate for her usual sound reasons, Grandmother had never approved of circuses, and though she would not deny she had been amused somewhat, still there had been sights and sounds in this one which she maintained were, to say the least, not particularly edifying to the young. Her son Harry, who came in while the children made an early supper, looked at their illuminated faces, all the brothers and sisters and visiting cousins, and said, "This basket of young doesn't seem to be much damaged." His mother said, "The fruits of their present are in a future so far off, neither of us may live to know whether harm has been done or not. That is the trouble," and she went on ladling out hot milk to pour over their buttered toast. Miranda was sitting silent, her underlip drooping. Her father smiled at her. "You missed it, Baby," he said softly, "and what good did that do you?"
    Miranda burst again into tears: had to be taken away at last, and her supper was brought up to her. Dicey was exasperated and silent. Miranda could not eat. She tried, as if she were really remembering them, to think of the beautiful wild beings in white satin and spangles and red sashes who danced and frolicked on the trapezes; of the sweet little furry ponies and the lovely pet monkeys in their comical clothes. She fell asleep, and her invented memories gave way before her real ones, the bitter terrified face of the man in blowsy white falling to his death -- ah, the cruel joke! -- and the terrible grimace of the unsmiling dwarf. She screamed in her sleep and sat up crying for deliverance from her torments.
    Dicey came, her cross, sleepy eyes half-closed, her big dark mouth pouted, thumping the floor with her thick bare feet. "I swear," she said, in a violent hoarse whisper. "What the matter with you? You need a good spankin, I swear! Wakin everybody up like this . . ."
    Miranda was completely subjugated by her fears. She had a way of answering Dicey back. She would say, "Oh, hush up, Dicey." Or she would say, "I don't have to mind you. I don't have to mind anybody but my grandmother," which was provokingly true. And she would say, "You don't know what you're talking about." The day just past had changed that. Miranda sincerely did not want anybody, not even Dicey, to be cross with her. Ordinarily she did not care how cross she made the harassed adults around her. Now if Dicey must be cross, she still did not really care, if only Dicey might not turn out the lights and leave her to the fathomless terrors of the darkness where sleep could overtake her once more. She hugged Dicey with both arms, crying, "Don't, don't leave me. Don't be so angry! I c-c-can't b-bear it!"
    Dicey lay down beside her with a long moaning sigh, which meant that she was collecting her patience and making up her mind to remember that she was a Christian and must bear her cross. "Now you go to sleep," she said, in her usual warm being-good voice. "Now you jes shut yo eyes and go to sleep. I ain't going to leave you. Dicey ain't mad at nobody . . . nobody in the whole worl' . . ."


    Old Nannie sat hunched upon herself expecting her own death momentarily. The Grandmother had said to her at parting, with the easy prophecy of the aged, that this might be their last farewell on earth; they embraced and kissed each other on the cheeks, and once more promised to meet each other in heaven. Nannie was prepared to start her journey at once. The children gathered around her: "Aunt Nannie, never you mind! We love you!" She paid no attention; she did not care whether they loved her or not. Years afterward, Maria, the elder girl, thought with a pang, they had not really been so very nice to Aunt Nannie. They went on depending upon her as they always had, letting her assume more burdens and more, allowing her to work harder than she should have. The old woman grew silent, hunched over more deeply -- she was thin and tall also, with a nobly modeled Negro face, worn to the bone and a thick fine sooty black, no mixed blood in Nannie -- and her spine seemed suddenly to have given way. They could hear her groaning at night on her knees beside her bed, asking God to let her rest.
    When a black family moved out of a little cabin across the narrow creek, the first cabin empty for years, Nannie went down to look at it. She came back and asked Mister Harry, "Whut you aim to do wid dat cabin?" Mister Harry said, "Nothing," he supposed; and Nannie asked for it. She wanted a house of her own, she said; in her whole life she never had a place of her very own. Mister Harry said, of course she could have it. But the whole family was surprised, a little wounded. "Lemme go there and pass my last days in peace, chil'ren," she said. They had the place scrubbed and whitewashed, shelves put in and the chimney cleaned, they fixed Nannie up with a good bed and a fairly good carpet and allowed her to take all sorts of odds and ends from the house. It was astonishing to discover that Nannie had always liked and hoped to own certain things, she had seemed so contented and wantless. She moved away, and as the children said afterwards to each other, it was almost funny and certainly very sweet to see how she tried not to be too happy the day she left, but they felt rather put upon, just the same.
    Thereafter she sat in the serene idleness of making patchwork and braiding woolen rugs. Her grandchildren and her white family visited her, and all kinds of white persons who had never owned a soul related to Nannie, went to see her, to buy her rugs or leave little presents with her.
    She had always worn black wool dresses, or black and white figured calico with starchy white aprons and a white ruffled mobcap, or a black taffety cap for Sundays. She had been finicking precise and neat in her ways, and she still was. But she was no more the faithful old servant Nannie, a freed slave: she was an aged Bantu woman of independent means, sitting on the steps, breathing the free air. She began wearing a blue bandanna wrapped around her head, and at the age of eighty-five she took to smoking a corncob pipe. The black iris of the deep, withdrawn old eyes turned a chocolate brown and seemed to spread over the whole surface of the eyeball. As her sight failed, the eyelids crinkled and drew in, so that her face was like an eyeless mask.
    The children, brought up in an out-of-date sentimental way of thinking, had always complacently believed that Nannie was a real member of the family, perfectly happy with them, and this rebuke, so quietly and firmly administered, chastened them somewhat. The lesson sank in as the years went on and Nannie continued to sit on the doorstep of her cabin. They were growing up, times were changing, the old world was sliding from under their feet, they had not yet laid hold of the new one. They missed Nannie every day. As their fortunes went down, and they had very few servants, they needed her terribly. They realized how much the old woman had done for them, simply by seeing how, almost immediately after she went, everything slackened, lost tone, went off edge. Work did not accomplish itself as it once had. They had not learned how to work for themselves, they were all lazy and incapable of sustained effort or planning. They had not been taught and they had not yet educated themselves. Now and then Nannie would come back up the hill for a visit. She worked then almost as she had before, with a kind of satisfaction in proving to them that she had been almost indispensable. They would miss her more than ever when she went away. To show their gratitude, and their hope that she would come again, they would heap upon her baskets and bales of the precious rubbish she loved, and one of her great grandsons Skid or Hasty would push them away beside her on a wheelbarrow. She would again for a moment be the amiable, dependent, like-one-of-the-family old servant: "I know my chil'ren won't let me go away empty-handed."

    Uncle Jimbilly still pottered around, mending harness, currying horses, patching fences, now and then setting out a few plants or loosening the earth around shrubs in the spring. He muttered perpetually to himself, his blue mouth always moving in an endless disjointed comment on things past and present, and even to come, no doubt, though there was nothing about him that suggested any connection with even the nearest future . . . Maria had not realized until after her grandmother's death that Uncle Jimbilly and Aunt Nannie were husband and wife . . . That marriage of convenience, in which they had been mated with truly royal policy, with an eye to the blood and family stability, had dissolved of itself between them when the reasons for its being had likewise dissolved . . . They took no notice whatever of each other's existence, they seemed to forget they had children together (each spoke of "my children"), they had stored up no common memories that either wished to keep. Aunt Nannie moved away into her own house without even a glance or thought for Uncle Jimbilly, and he did not seem to notice that she was gone . . . He slept in a little attic over the smoke-house, and ate in the kitchen at odd hours, and did as he pleased, lonely as a wandering spirit and almost as invisible . . . But one day he passed by the little house and saw Aunt Nannie sitting on her steps with her pipe. He sat down awhile, groaning a little as he bent himself into angles, and sunned himself like a weary old dog. He would have stayed on from that minute, but Nannie would not have him. "Whut you doin with all this big house to yoself?" he wanted to know. "'Tain't no more than just enough fo' me," she told him pointedly; "I don' aim to pass my las' days waitin on no man," she added, "I've served my time, I've done my do, and dat's all." So Uncle Jimbilly crept back up the hill and into his smoke-house attic, and never went near her again . . .

    On summer evenings she sat by herself long after dark, smoking to keep away the mosquitoes, until she was ready to sleep. She said she wasn't afraid of anything: never had been, never expected to be. She had long ago got in the way of thinking that night was a blessing, it brought the time when she didn't have to work any more until tomorrow. Even after she stopped working for good and all, she still looked forward with longing to the night, as if all the accumulated fatigues of her life, lying now embedded in her bones, still begged for easement. But when night came, she remembered that she didn't have to get up in the morning until she was ready. So she would sit in the luxury of having at her disposal all of God's good time there was in this world.

    When Mister Harry, in the old days, had stood out against her word in some petty dispute, she could always get the better of him by slapping her slatty old chest with the flat of her long hand and crying out: "Why, Mister Harry, you, ain't you shamed to talk lak dat to me? I nuhsed you at dis bosom!"
    Harry knew this was not literally true. She had nursed three of his elder brothers; but he always said at once, "All right, Mammy, all right, for God's sake!" -- precisely as he said it to his own mother, exploding in his natural irascibility as if he hoped to clear the air somewhat of the smothering matriarchal tyranny to which he had been delivered by the death of his father. Still he submitted, being of that latest generation of sons who acknowledged, however reluctantly, however bitterly, their mystical never to be forgiven debt to the womb that bore them, and the breast that suckled them.


    Old Aunt Nannie had a habit of gripping with her knees to hold Miranda while she brushed her hair or buttoned her dress down the back. When Miranda wriggled, Aunt Nannie squeezed still harder, and Miranda wriggled more, but never enough to get away. Aunt Nannie gathered up Miranda's scalp lock firmly, snapped a rubber band around it, jammed a freshly starched white chambray bonnet over her ears and forehead, fastened the crown to the lock with a large safety pin, and said: "Got to hold you still someways. Here now, don't you take this off your head till the sun go down."
    "I didn't want a bonnet, it's too hot, I wanted a hat," said Miranda.
    "You not goin' to get a hat, you goin' to get just what you got," said Aunt Nannie in the bossy voice she used for washing and dressing time, "and mo'over some of these days I'm goin' to sew this bonnet to your topknot. Your daddy says if you get freckles he blame me. Now, you're all ready to set out."
    "Where are we going, Aunty?" Miranda could never find out about anything until the last minute. She was always being surprised. Once she went to sleep in her bed with her kitten curled on the pillow purring, and woke up in a stuffy tight bed in a train, hugging a hot-water bottle; and there was Grandmother stretched out beside her in her McLeod tartan dressing-gown, her eyes wide open. Miranda thought something wonderful had happened. "My goodness, Grandmother, where are we going?" And it was only for another trip to El Paso to see Uncle Bill.
    Now Tom and Dick were hitched to the carry-all standing outside the gate with boxes and baskets tied on everywhere. Grandmother was walking alone through the house very slowly, taking a last look at everything. Now and then she put something else in the big leather portmoney on her arm until it was pretty bulgy. She carried a long black mohair skirt on her other arm, the one she put on over her other skirt when she rode horseback. Her son Harry, Miranda's father, followed her saying: "I can't see the sense in rushing off to Halifax on five minutes' notice."
    Grandmother said, walking on: "It's five hours exactly." Halifax wasn't the name of Grandmother's farm at all, it was Cedar Grove, but Father always called it Halifax. "Hot as Halifax," he would say when he wanted to describe something very hot. Cedar Grove was very hot, but they went there every summer because Grandmother loved it. "I went to Cedar Grove for fifty summers before you were born," she told Miranda, who remembered last summer very well, and the summer before a little. Miranda liked it for watermelons and grasshoppers and the long rows of blooming chinaberry trees where the hounds flattened themselves out and slept. They whined and winked their eyelids and worked their feet and barked faintly in their sleep, and Uncle Jimbilly said it was because dogs always dreamed they were chasing something. In the middle of the day when Miranda looked down over the thick green fields towards the spring she could simply see it being hot: everything blue and sleepy and the mourning doves calling.
    "Are we going to Halifax, Aunty?"
    "Now just ask your dad if you wanta know so much."
    "Are we going to Halifax, Dad?"
    Her father twitched her bonnet straight and pulled her hair forward so it would show. "You mustn't get sunburned. No, let it alone. Show the pretty curls. You'll be wading in Whirlypool before supper this evening."
    Grandmother said, "Don't say Halifax, child, say Cedar Grove. Call things by their right names."
    "Yes, ma'am," said Miranda. Grandmother said again, to her son, "It's five hours, exactly, and your Aunt Eliza has had plenty of time to pack up her telescope, and take my saddle horse. She's been there three hours by now. I imagine she's got the telescope already set up on the hen-house roof. I hope nothing happens."
    "You worry too much, Mammy," said her son, trying to conceal his impatience.
    "I am not worrying," said Grandmother, shifting her riding skirt to the arm carrying the portmoney. "It will scarcely be any good taking this," she said; "I might in fact as well throw it away for this summer."
    "Never mind, Mammy, we'll send to the Black Farm for Pompey, he's a good easy saddler."
    "You may ride him yourself," said Grandmother. "I'll never mount Pompey while Fiddler is alive. Fiddler is my horse, and I hate having his mouth spoiled by a careless rider. Eliza never could ride, and she never will. . . ."

    Miranda gave a little skip and ran away. So they were going to Cedar Grove. Miranda never got over being surprised at the way grown-up people simply did not seem able to give anyone a straight answer to any question, unless the answer was "No." Then it popped out with no trouble at all. At a little distance, she heard her grandmother say, "Harry, have you seen my riding crop lately?" and her father answered, at least maybe he thought it was an answer, "Now, Mammy, for God's sake let's get this thing over with." That was it, exactly.
    Another strange way her father had of talking was calling Grandmother "Mammy." Aunt Jane was Mammy. Sometimes he called Grandmother "Mama," but she wasn't Mama either, she was really Grandmother. Mama was dead. Dead meant gone away forever. Dying was something that happened all the time, to people and everything else. Somebody died, and there was a long string of carriages going at a slow walk over the rocky ridge of the hill towards the river while the bell tolled and tolled, and that person was never seen again by anybody. Kittens and chickens and specially little turkeys died much oftener, and sometimes calves, but hardly ever cows or horses. Lizards on rocks turned into shells, with no lizard inside at all. If caterpillars all curled up and furry didn't move when you poked them with a stick, that meant they were dead -- it was a sure sign.
    When Miranda found any creature that didn't move or make a noise, or looked somehow different from the live ones, she always buried it in a little grave with flowers on top and a smooth stone at the head. Even grasshoppers. Everything dead had to be treated this way. "This way and no other!" Grandmother always said when she was laying down the law about all kinds of things. "It must be done this way, and no other!"
    Miranda went down the crooked flat-stone walk hopping zigzag between the grass tufts. First there were pomegranate and cape jessamine bushes mixed together; then it got very dark and shady and that was the fig grove. She went to her favorite fig tree where the deep branches bowed down level with her chin, and she could gather figs without having to climb and skin her knees. Grandmother hadn't remembered to take any figs to the country the last time, she said there were plenty of them at Cedar Grove. But the ones at Cedar Grove were big soft greenish white ones, and these at home were black and sugary. It was strange that Grandmother did not seem to notice the difference. The air was sweet among the fig trees, and chickens were always getting out of the run and rushing there to eat the figs off the ground. One mother hen was scurrying around scratching and clucking. She would scratch around a fig lying there in plain sight and cluck to her children as if it was a worm and she had dug it up for them.
    "Old smarty," said Miranda, "you're just pretending."
    When the little chickens all ran to their mother under Miranda's fig tree, one little chicken did not move. He was spread out on his side with his eyes shut and his mouth open. He was yellow fur in spots and pinfeathers in spots, and the rest of him was naked and sunburned. "Lazy," said Miranda, poking him with her toe. Then she saw that he was dead.
    Oh, and in no time at all they'd be setting out for Halifax. Grandmother never went away, she always set out for somewhere. She'd have to hurry like anything to get him buried properly. Back into the house she went on tiptoe hoping not to be seen, for Grandmother always asked: "Where are you going, child? What are you doing? What is that you're carrying? Where did you get it? Who gave you permission?" and after Miranda had explained all that, even if there turned out not to be anything wrong in it, nothing ever seemed so nice any more. Besides it took forever to get away.
    Miranda slid open her bureau drawer, third down, left-hand side where her new shoes were still wrapped in tissue paper in a nice white box the right size for a chicken with pinfeathers. She pushed the rustling white folded things and the lavender bags out of the way and trembled a little. Down in front the carry-all wheels screeched and crunched on the gravel, with Old Uncle Jimbilly yelling like a foghorn, "Hiyi, thar, back up, you steeds! Back up thar, you!" and of course, that meant he was turning Tom and Dick around so they would be pointing towards Halifax. They'd be after her, calling and hurrying her, and she wouldn't have time for anything and they wouldn't listen to a word. It wasn't hard work digging a hole with her little spade in the loose dry soil. Miranda wrapped the slimpsy chicken in tissue paper, trying to make it look pretty, laid it in the box carefully, and covered it up with a nice mound, just like people's. She had hardly got it piled up grave shape, kneeling and leaning to smooth it over, when a strange sound came from somewhere, a very sad little crying sound. It said Weep, weep, weep, three times like that slowly, and it seemed to come from the mound of dirt. "My goodness," Miranda asked herself aloud, "what's that?" She pushed her bonnet off her ears and listened hard. "Weep, weep," said the tiny sad voice. And People began calling and urging her, their voices coming nearer. She began to clamor, too.
    "Yes, Aunty, wait a minute, Aunty!"
    "You come right on here this minute, we're goin'!"
    "You have to wait, Aunty!"
    Her father was coming along the edge of the fig trees. "Hurry up, Baby, you'll get left!"
    Miranda felt she couldn't bear to be left. She ran all shaking with fright. Her father gave her the annoyed look he always gave her when he said something to upset her and then saw that she was upset. His words were kind but his voice scolded: "Stop getting so excited, Baby, you know we wouldn't leave you for anything." Miranda wanted to talk back: "Then why did you say so?" but she was still listening for that tiny sound: "Weep, weep." She lagged and pulled backward, looking over her shoulder, but her father hurried her towards the carry-all. But things didn't make sounds if they were dead. They couldn't. That was one of the signs. Oh, but she had heard it.
    Her father sat in front and drove, and old Uncle Jimbilly didn't do anything but get down and open gates. Grandmother and Aunt Nannie sat in the back seat, with Miranda between them. She loved setting out somewhere, with everybody smiling and settling down and looking up at the weather, with the horses bouncing and pulling on the reins, the springs jolting and swaying with a creaky noise that made you feel sure you were traveling. That evening she would go wading with Maria and Paul and Uncle Jimbilly, and that very night she would lie out on the grass in her nightgown to cool off, and they would all drink lemonade before going to bed. Sister Maria and Brother Paul would already be burned like muffins because they were sent on ahead the minute school was out. Sister Maria had got freckled and Father was furious. "Keep your bonnet on," he said to Miranda, sternly. "Now remember. I'm not going to have that face ruined, too." But oh, what had made that funny sound? Miranda's ears buzzed and she had a dull round pain in her just under her front ribs. She had to go back and let him out. He'd never get out by himself, all tangled up in tissue paper and that shoebox. He'd never get out without her.
    "Grandmother, I've got to go back. Oh, I've got to go back!"
    Grandmother turned Miranda's face around by the chin and looked at her closely, the way grown folks did. Grandmother's eyes were always the same. They never looked kind or sad or angry or tired or anything. They just looked, blue and still. "What is the matter with you, Miranda, what happened?"
    "Oh, I've got to go back -- I forg-got something important."
    "Stop that silly crying and tell me what you want."
    Miranda couldn't stop. Her father looked very anxious. "Mammy, maybe the Baby's sick." He reached out his handkerchief to her face. "What's the matter with my honey? Did you eat something?"
    Miranda had to stand up to cry as hard as she wanted to. The wheels went grinding round in the road, the carry-all wobbled so that Grandmother had to take her by one arm, and her father by the other. They stared at each other over Miranda's head with a moveless gaze that Miranda had seen often, and their eyes looked exactly alike. Miranda blinked up at them, waiting to see who would win. Then Grandmother's hand fell away, and Miranda was handed over to her father. He gave the reins to Uncle Jimbilly, and lifted her over the top of the seat. She sprawled against his chest and knees as if he were an armchair and stopped crying at once. "We can't go back just for notions," he told her in the reasoning tone he always talked in when Grandmother scolded, and held the muffly handkerchief for her. "Now, blow hard. What did you forget, honey? We'll find another. Was it your doll?"
    Miranda hated dolls. She never played with them. She always pulled the wigs off and tied them on the kittens, like hats. The kittens pulled them off instantly. It was fun. She put the doll clothes on the kittens and it took any one of them just half a minute to get them all off again. Kittens had sense. Miranda wailed suddenly, "Oh, I want my doll!" and cried again, trying to drown out the strange little sound, "Weep, weep" --
    "Well now, if that's all," said her father comfortably, "there's a raft of dolls at Cedar Grove, and about forty fresh kittens. How'd you like that?"
    "Forty?" asked Miranda.
    "About," said Father.
    Old Aunt Nannie leaned and held out her hand. "Look, honey, I toted you some nice black figs."
    Her face was wrinkled and black and it looked like a fig upside down with a white ruffled cap. Miranda clenched her eyes tight and shook her head.
    "Is that a pretty way to behave when Aunt Nannie offers you something nice?" asked Grandmother in her gentle reminding tone of voice.
    "No, ma'am," said Miranda meekly. "Thank you, Aunt Nannie." But she did not accept the figs.

    Great-Aunt Eliza, half way up a stepladder pitched against the flat-roofed chicken house, was telling Hinry just how to set up her telescope. "For a fellow who never saw or heard of a telescope," Great-Aunt Eliza said to Grandmother, who was really her sister Sophia Jane, "he doesn't do so badly so long as I tell him."
    "I do wish you'd stop clambering up stepladders, Eliza," said Grandmother, "at your time of life."
    "You're nothing but a nervous wreck, Sophia, I declare. When did you ever know me to get hurt?"
    "Even so," said Grandmother tartly, "there is such a thing as appropriate behavior at your time of . . ."
    Great-Aunt Eliza seized a fold of her heavy brown pleated skirt with one hand, with the other she grasped the ladder one rung higher and ascended another step. "Now Hinry," she called, "just swing it around facing west and leave it level. I'll fix it the way I want when I'm ready. You can come on down now." She came down then herself, and said to her sister: "So long as you can go bouncing off on that horse of yours, Sophia Jane, I s'pose I can climb ladders. I'm three years younger than you, and at your time of life that makes all the difference!"
    Grandmother turned pink as the inside of a seashell, the one on her sewing table that had the sound of the sea in it; Miranda knew that she had always been the pretty one, and she was pretty still, but Great-Aunt Eliza was not pretty now and never had been. Miranda, watching and listening -- for everything in the world was strange to her and something she had to know about -- saw two old women, who were proud of being grandmothers, who spoke to children always as if they knew best about everything and children knew nothing, and they told children all day long to come here, go there, do this, do not do that, and they were always right and children never were except when they did anything they were told right away without a word. And here they were bickering like two little girls at school, or even the way Miranda and her sister Maria bickered and nagged and picked on each other and said things on purpose to hurt each other's feelings. Miranda felt sad and strange and a little frightened. She began edging away.
    "Where are you going, Miranda?" asked Grandmother in her everyday voice.
    "Just to the house," said Miranda, her heart sinking.
    "Wait and walk with us," said Grandmother. She was very thin and pale and had white hair. Beside her, Great-Aunt Eliza loomed like a mountain with her grizzled iron-colored hair like a curly wig, her steel-rimmed spectacles over her snuff-colored eyes, and snuff-colored woollen skirts billowing about her, and her smell of snuff. When she came through the door she quite filled it up. When she sat down the chair disappeared under her, and she seemed to be sitting solidly on herself from her waistband to the floor.
    Now with Grandmother sitting across the room rummaging in her work basket and pretending not to see anything, Great-Aunt Eliza took a small brown bottle out of her pocket, opened it, took a pinch of snuff in each nostril, sneezed loudly, wiped her nose with a big white starchy-looking handkerchief, pushed her spectacles up on her forehead, took a little twig chewed into a brush at one end, dipped and twisted it around in the little bottle, and placed it firmly between her teeth. Miranda had heard of this shameful habit in women of the lower classes, but no lady had been known to "dip snuff," and surely not in the family. Yet here was Great-Aunt Eliza, a lady even if not a very pretty one, dipping snuff. Miranda knew how her grandmother felt about it; she stared fascinated at Great-Aunt Eliza until her eyes watered. Great-Aunt Eliza stared back in turn.
    "Look here, young one, d'ye s'pose if I gave you a gumdrop you'd get out from underfoot?"
    She reached in the other pocket and took out a roundish, rather crushed-looking pink gumdrop with the sugar coating pretty badly crackled. "Now take this, and don't let me lay eyes on you any more today."

    Miranda hurried away, clenching the gumdrop in her palm. When she reached the kitchen it was oozing through her fingers. She went to the tap and held her hand under the water and tried to wash off the snuffy smell. After this crime she did not really dare go near Great-Aunt Eliza again soon. "What did you do with that gumdrop so quickly, child?" she could almost hear her asking.
    Yet Miranda almost forgot her usual interests, such as kittens and other little animals on the place, pigs, chickens, rabbits, anything at all so it was a baby and would let her pet and feed it, for Great-Aunt Eliza's ways and habits kept Miranda following her about, gazing, or sitting across the dining-table, gazing, for when Great-Aunt Eliza was not on the roof before her telescope, always just before daylight or just after dark, she was walking about with a microscope and a burning glass, peering closely at something she saw on a tree trunk, something she found in the grass; now and then she collected fragments that looked like dried leaves or bits of bark, brought them in the house, spread them out on a sheet of white paper, and sat there, poring, as still as if she were saying her prayers. At table she would dissect a scrap of potato peeling or anything else she might be eating, and sit there, bowed over, saying, "Hum," from time to time. Grandmother, who did not allow the children to bring anything to the table to play with and who forbade them to do anything but eat while they were there, ignored her sister's manners as long as she could, then remarked one day, when Great-Aunt Eliza was humming like a bee to herself over what her microscope had found in a raisin, "Eliza, if it is interesting save it for me to look at after dinner. Or tell me what it is."
    "You wouldn't know if I told you," said Great-Aunt Eliza, coolly, putting her microscope away and finishing off her pudding.
    When at last, just before they were all going back to town again, Great-Aunt Eliza invited the children to climb the ladder with her and see the stars through her telescope, they were so awed they looked at each other like strangers, and did not exchange a word. Miranda saw only a great pale flaring disk of cold light, but she knew it was the moon and called out in pure rapture, "Oh, it's like another world!"
    "Why, of course, child," said Great-Aunt Eliza, in her growling voice, but kindly, "other worlds, a million other worlds."
    "Like this one?" asked Miranda, timidly.
    "Nobody knows, child. . . ."
    "Nobody knows, nobody knows," Miranda sang to a tune in her head, and when the others walked on, she was so dazzled with joy she fell back by herself, walking a little distance behind Great-Aunt Eliza's swinging lantern and her wide-swinging skirts. They took the dewy path through the fig grove, much like the one in town, with the early dew bringing out the sweet smell of the milky leaves. They passed a fig tree with low hanging branches, and Miranda reached up by habit and touched it with her fingers for luck. From the earth beneath her feet came a terrible, faint troubled sound. "Weep weep, weep weep . . ." murmured a little crying voice from the smothering earth, the grave.
    Miranda bounded like a startled pony against the back of Great-Aunt Eliza's knees, crying out, "Oh, oh, oh, wait . . ."
    "What on earth's the matter, child?"
    Miranda seized the warm snuffy hand held out to her and hung on hard. "Oh, there's something saying 'weep weep' out of the ground!"
    Great-Aunt Eliza stooped, put her arm around Miranda and listened carefully, for a moment. "Hear them?" she said. "They're not in the ground at all. They are the first tree frogs, means it's going to rain," she said, "weep weep -- hear them?"
    Miranda took a deep trembling breath and heard them. They were in the trees. They walked on again, Miranda holding Great-Aunt Eliza's hand.
    "Just think," said Great-Aunt Eliza, in her most scientific voice, "when tree frogs shed their skins, they pull them off over their heads like little shirts, and they eat them. Can you imagine? They have the prettiest little shapes you ever saw -- I'll show you one some time under the microscope."
    "Thank you, ma'am," Miranda remembered finally to say through her fog of bliss at hearing the tree frogs sing, "Weep weep . . ."


    The grandfather, dead for more than thirty years, had been twice disturbed in his long repose by the constancy and possessiveness of his widow. She removed his bones first to Louisiana and then to Texas as if she had set out to find her own burial place, knowing well she would never return to the places she had left. In Texas she set up a small cemetery in a corner of her first farm, and as the family connection grew, and oddments of relations came over from Kentucky to settle, it contained at last about twenty graves. After the grandmother's death, part of her land was to be sold for the benefit of certain of her children, and the cemetery happened to lie in the part set aside for sale. It was necessary to take up the bodies and bury them again in the family plot in the big new public cemetery, where the grandmother had been buried. At last her husband was to lie beside her for eternity, as she had planned.
    The family cemetery had been a pleasant small neglected garden of tangled rose bushes and ragged cedar trees and cypress, the simple flat stones rising out of uncropped sweet-smelling wild grass. The graves were lying open and empty one burning day when Miranda and her brother Paul, who often went together to hunt rabbits and doves, propped their twenty-two Winchester rifles carefully against the rail fence, climbed over and explored among the graves. She was nine years old and he was twelve.
    They peered into the pits all shaped alike with such purposeful accuracy, and looking at each other with pleased adventurous eyes, they said in solemn tones: "These were graves!" trying by words to shape a special, suitable emotion in their minds, but they felt nothing except an agreeable thrill of wonder: they were seeing a new sight, doing something they had not done before. In them both there was also a small disappointment at the entire commonplaceness of the actual spectacle. Even if it had once contained a coffin for years upon years, when the coffin was gone a grave was just a hole in the ground. Miranda leaped into the pit that had held her grandfather's bones. Scratching around aimlessly and pleasurably as any young animal, she scooped up a lump of earth and weighed it in her palm. It had a pleasantly sweet, corrupt smell, being mixed with cedar needles and small leaves, and as the crumbs fell apart, she saw a silver dove no larger than a hazel nut, with spread wings and a neat fan-shaped tail. The breast had a deep round hollow in it. Turning it up to the fierce sunlight, she saw that the inside of the hollow was cut in little whorls. She scrambled out, over the pile of loose earth that had fallen back into one end of the grave, calling to Paul that she had found something, he must guess what . . . His head appeared smiling over the rim of another grave. He waved a closed hand at her. "I've got something too!" They ran to compare treasures, making a game of it, so many guesses each, all wrong, and a final showdown with opened palms. Paul had found a thin wide gold ring carved with intricate flowers and leaves. Miranda was smitten at sight of the ring and wished to have it. Paul seemed more impressed by the dove. They made a trade, with some little bickering. After he had got the dove in his hand, Paul said, "Don't you know what this is? This is a screw head for a coffin! . . . I'll bet nobody else in the world has one like this!"
    Miranda glanced at it without covetousness. She had the gold ring on her thumb; it fitted perfectly. "Maybe we ought to go now," she said, "maybe one of the niggers 'll see us and tell somebody." They knew the land had been sold, the cemetery was no longer theirs, and they felt like trespassers. They climbed back over the fence, slung their rifles loosely under their arms -- they had been shooting at targets with various kinds of firearms since they were seven years old -- and set out to look for the rabbits and doves or whatever small game might happen along. On these expeditions Miranda always followed at Paul's heels along the path, obeying instructions about handling her gun when going through fences; learning how to stand it up properly so it would not slip and fire unexpectedly; how to wait her time for a shot and not just bang away in the air without looking, spoiling shots for Paul, who really could hit things if given a chance. Now and then, in her excitement at seeing birds whizz up suddenly before her face, or a rabbit leap across her very toes, she lost her head, and almost without sighting she flung her rifle up and pulled the trigger. She hardly ever hit any sort of mark. She had no proper sense of hunting at all. Her brother would be often completely disgusted with her. "You don't care whether you get your bird or not," he said. "That's no way to hunt." Miranda could not understand his indignation. She had seen him smash his hat and yell with fury when he had missed his aim. "What I like about shooting," said Miranda, with exasperating inconsequence, "is pulling the trigger and hearing the noise."
    "Then, by golly," said Paul, "whyn't you go back to the range and shoot at bulls-eyes?"
    "I'd just as soon," said Miranda, "only like this, we walk around more."
    "Well, you just stay behind and stop spoiling my shots," said Paul, who, when he made a kill, wanted to be certain he had made it. Miranda, who alone brought down a bird once in twenty rounds, always claimed as her own any game they got when they fired at the same moment. It was tiresome and unfair and her brother was sick of it.
    "Now, the first dove we see, or the first rabbit, is mine," he told her. "And the next will be yours. Remember that and don't get smarty."
    "What about snakes?" asked Miranda idly. "Can I have the first snake?"
    Waving her thumb gently and watching her gold ring glitter, Miranda lost interest in shooting. She was wearing her summer roughing outfit: dark blue overalls, a light blue shirt, a hired-man's straw hat, and thick brown sandals. Her brother had the same outfit except his was a sober hickory-nut color. Ordinarily Miranda preferred her overalls to any other dress, though it was making rather a scandal in the countryside, for the year was 1903, and in the back country the law of female decorum had teeth in it. Her father had been criticized for letting his girls dress like boys and go careering around astride barebacked horses. Big sister Maria, the really independent and fearless one, in spite of her rather affected ways, rode at a dead run with only a rope knotted around her horse's nose. It was said the motherless family was running down, with the Grandmother no longer there to hold it together. It was known that she had discriminated against her son Harry in her will, and that he was in straits about money. Some of his old neighbors reflected with vicious satisfaction that now he would probably not be so stiffnecked, nor have any more high-stepping horses either. Miranda knew this, though she could not say how. She had met along the road old women of the kind who smoked corn-cob pipes, who had treated her grandmother with most sincere respect. They slanted their gummy old eyes side-ways at the granddaughter and said, "Ain't you ashamed of yoself, Missy? It's aginst the Scriptures to dress like that. Whut yo Pappy thinkin about?" Miranda, with her powerful social sense, which was like a fine set of antennae radiating from every pore of her skin, would feel ashamed because she knew well it was rude and ill-bred to shock anybody, even bad-tempered old crones, though she had faith in her father's judgment and was perfectly comfortable in the clothes. Her father had said, "They're just what you need, and they'll save your dresses for school . . ." This sounded quite simple and natural to her. She had been brought up in rigorous economy. Wastefulness was vulgar. It was also a sin. These were truths; she had heard them repeated many times and never once disputed.
    Now the ring, shining with the serene purity of fine gold on her rather grubby thumb, turned her feelings against her overalls and sockless feet, toes sticking through the thick brown leather straps. She wanted to go back to the farmhouse, take a good cold bath, dust herself with plenty of Maria's violet talcum powder -- provided Maria was not present to object, of course -- put on the thinnest, most becoming dress she owned, with a big sash, and sit in a wicker chair under the trees . . . These things were not all she wanted, of course; she had vague stirrings of desire for luxury and a grand way of living which could not take precise form in her imagination but were founded on family legend of past wealth and leisure. These immediate comforts were what she could have, and she wanted them at once. She lagged rather far behind Paul, and once she thought of just turning back without a word and going home. She stopped, thinking that Paul would never do that to her, and so she would have to tell him. When a rabbit leaped, she let Paul have it without dispute. He killed it with one shot.
    When she came up with him, he was already kneeling, examining the wound, the rabbit trailing from his hands. "Right through the head," he said complacently, as if he had aimed for it He took out his sharp, competent bowie knife and started to skin the body. He did it very cleanly and quickly. Uncle Jimbilly knew how to prepare the skins so that Miranda always had fur coats for her dolls, for though she never cared much for her dolls she liked seeing them in fur coats. The children knelt facing each other over the dead animal. Miranda watched admiringly while her brother stripped the skin away as if he were taking off a glove. The flayed flesh emerged dark scarlet, sleek, firm; Miranda with thumb and finger felt the long fine muscles with the silvery flat strips binding them to the joints. Brother lifted the oddly bloated belly. "Look," he said, in a low amazed voice. "It was going to have young ones."
    Very carefully he slit the thin flesh from the center ribs to the flanks, and a scarlet bag appeared. He slit again and pulled the bag open, and there lay a bundle of tiny rabbits, each wrapped in a thin scarlet veil. The brother pulled these off and there they were, dark gray, their sleek wet down lying in minute even ripples, like a baby's head just washed, their unbelievably small delicate ears folded close, their little blind faces almost featureless.
    Miranda said, "Oh, I want to see," under her breath. She looked and looked -- excited but not frightened, for she was accustomed to the sight of animals killed in hunting -- filled with pity and astonishment and a kind of shocked delight in the wonderful little creatures for their own sakes, they were so pretty. She touched one of them ever so carefully, "Ah, there's blood running over them," she said and began to tremble without knowing why. Yet she wanted most deeply to see and to know. Having seen, she felt at once as if she had known all along. The very memory of her former ignorance faded, she had always known just this. No one had ever told her anything outright, she had been rather unobservant of the animal life around her because she was so accustomed to animals. They seemed simply disorderly and unaccountably rude in their habits, but altogether natural and not very interesting. Her brother had spoken as if he had known about everything all along. He may have seen all this before. He had never said a word to her, but she knew now a part at least of what he knew. She understood a little of the secret, formless intuitions in her own mind and body, which had been clearing up, taking form, so gradually and so steadily she had not realized that she was learning what she had to know. Paul said cautiously, as if he were talking about something forbidden: "They were just about ready to be born." His voice dropped on the last word. "I know," said Miranda, "like kittens. I know, like babies." She was quietly and terribly agitated, standing again with her rifle under her arm, looking down at the bloody heap. "I don't want the skin," she said, "I won't have it." Paul buried the young rabbits again in their mother's body, wrapped the skin around her, carried her to a clump of sage bushes, and hid her away. He came out again at once and said to Miranda, with an eager friendliness, a confidential tone quite unusual in him, as if he were taking her into an important secret on equal terms: "Listen now. Now you listen to me, and don't ever forget. Don't you ever tell a living soul that you saw this. Don't tell a soul. Don't tell Dad because I'll get into trouble. He'll say I'm leading you into things you ought not to do. He's always saying that. So now don't you go and forget and blab out sometime the way you're always doing . . . Now, that's a secret. Don't you tell."
    Miranda never told, she did not even wish to tell anybody. She thought about the whole worrisome affair with confused unhappiness for a few days. Then it sank quietly into her mind and was heaped over by accumulated thousands of impressions, for nearly twenty years. One day she was picking her path among the puddles and crushed refuse of a market street in a strange city of a strange country, when without warning, plain and clear in its true colors as if she looked through a frame upon a scene that had not stirred nor changed since the moment it happened, the episode of that far-off day leaped from its burial place before her mind's eye. She was so reasonlessly horrified she halted suddenly staring, the scene before her eyes dimmed by the vision back of them. An Indian vendor had held up before her a tray of dyed sugar sweets, in the shapes of all kinds of small creatures: birds, baby chicks, baby rabbits, lambs, baby pigs. They were in gay colors and smelled of vanilla, maybe. . . . It was a very hot day and the smell in the market, with its piles of raw flesh and wilting flowers, was like the mingled sweetness and corruption she had smelled that other day in the empty cemetery at home: the day she had remembered always until now vaguely as the time she and her brother had found treasure in the opened graves. Instantly upon this thought the dreadful vision faded, and she saw clearly her brother, whose childhood face she had forgotten, standing again in the blazing sunshine, again twelve years old, a pleased sober smile in his eyes, turning the silver dove over and over in his hands.



Last updated:
May 21, 2006
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